A Journey Through Art and Identity in Dallas-Fort Worth

Spending two days crisscrossing the Dallas-Fort Worth area, a place I left more than two years ago, felt like a homecoming of sorts—one filled with art, nostalgia, and a reminder of why I left in the first place. While reconnecting with old friends, I made it a priority to dive back into the local art … Continue reading A Journey Through Art and Identity in Dallas-Fort Worth

The Art Through the Five-Inch Screen

Crowded opening at the MAC in Dallas

Much of the past ten months have been spent in quarantine and that has changed just about everything. Social gatherings including concerts, museum exhibits, and gallery openings have been canceled. We've tried to make up for some of it with an online experience.  By now, we are used to watching the live stream of performances, … Continue reading The Art Through the Five-Inch Screen

Miles Cleveland Goodwin at Valley House Gallery

All art is autobiographical, Fellini declared. For Miles Cleveland Goodwin, those snippets of life in rural Mississippi make up his artwork in the current solo exhibition at Value House Gallery and Sculpture Garden. As a city of concrete and glass, Dallas hasn’t been at the forefront of persevering vanishing America. But the imageries of Goodwin, if nostalgic by nature, are less about the old South than a reflection of his reality. The relentless process of ruin and abandonment, in an eerie way, is sort of romantic and comforting.

Regional Talents Shine at Artspace 111 in Fort Worth

Artspace 111 Fort Worth Selfie with Anne Weary, Vera Barnett and Eric Miller

The first regional juried exhibition at Artspace 111 opened on June 20. It limits its geographical scope to artists residing in Texas, Oklahoma, New Mexico and Louisiana. Although including neighboring states opens the door to more talent, majority of the participants are local. Dr. Ron Tyler, former director at the Amon Carter Museum of American … Continue reading Regional Talents Shine at Artspace 111 in Fort Worth

Nature Observed: The Coastal California Pines of Anne C. Weary

They reflected the superlative power of the artist to synthesize geographic and flora information; yet still there seemed to lack a kind of immediacy and emotional attachment. In a tightly controlled process for public picture making, by reigning subconscious and psychological state, Anne achieved a stunning degree of intellectual revelation of nature observed.